With the elders it was sense of duty that prevailed. That, at all events, was English. The country must be saved. To their sons and daughters it was the originality, the novelty that gradually appealed. Mrs. Denton’s Fridays became a new sensation. It came to be the chic and proper thing to appear at them in shades of mauve or purple. A pushing little woman in Hanover Street designed the “Denton” bodice, with hanging sleeves and square-cut neck. The younger men inclined towards a coat shaped to the waist with a roll collar. “Perhaps it’s wrong of me,” she said. “But it makes me so sad. And I can do nothing.”!

The girl gave a short laugh. “Afraid I wasn’t thinking much about that,” she said. “Unless it all comes right in the end,” she added musingly; “and the poor old soul pegs out. I wouldn’t give much for her liver.”

They returned home by train. Joan insisted on travelling third class, and selected a compartment containing a stout woman and two children. Arthur had to be at the works. An important contract had got behindhand and they were working overtime. She and her father dined alone. He made her fulfil her promise to talk about herself, and she told him all she thought would interest him. She passed lightly over her acquaintanceship with Phillips. He would regard it as highly undesirable, she told herself, and it would trouble him. He was reading her articles in the Sunday Post, as also her Letters from Clorinda: and of the two preferred the latter as being less subversive of law and order. Also he did not like seeing her photograph each week, displayed across two columns with her name beneath in one inch type. He supposed he was old-fashioned. She was getting rather tired of it herself. Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel. “A baby,” she said. “Oh, it was my own fault,” she continued. “I wanted it. It was all the talk at the time. You don’t remember. Our right to children. No woman complete without one. Maternity, woman’s kingdom. All that sort of thing. As if the storks brought them. Don’t suppose it made any real difference; but it just helped me to pretend that it was something pretty and high-class. ‘Overmastering passion’ used to be the explanation, before that. I guess it’s all much of a muchness: just natural instinct.”